Penciutan dari Novel Aku Tak Membenci Hujan karya Sri Puji Hartini ke dalam Film Aku Tak Membenci Hujan di Sutradarai Adhe Dharmastriya
Abstract
Ecranisation is the adaptation of literary works into films, frequently resulting in narrative changes such as reduction. This study aims to describe the forms of reduction in the ecranisation of Sri Puji Hartini's novel Aku Tak Membenci Hujan into the film directed by Adhe Dharmastriya. Employing a qualitative descriptive method with a structuralist approach, data consisting of reduced story elements were collected through documentation and rigorous observation of both mediums. The analysis utilized an interactive model encompassing data reduction, data display, and conclusion drawing. The results reveal that reduction is the dominant modification, specifically affecting the elements of character, plot, conflict, and setting. Several supporting characters—such as Mang Kodir, Mang Asep, Thomas, Adiba, Wulan, Selina, and Kaila—were either omitted or minimized in the film. Furthermore, specific events and minor conflicts from the novel were excluded to condense the plot around the primary conflict, alongside the removal of unessential settings. Ultimately, these findings demonstrate that reduction serves as a strategic adaptation method to accommodate the film's runtime constraints without sacrificing the novel's core essence.
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